Josephine Baker
Mirror and Shadow
A series of interdisciplinary live performances combining physical theater, contemporary dance, poetry, chanson, film, and photography.
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a symbolic connection
©SOURCE-internet
The series of performances explores a symbolic connection between Josephine Baker (1906-1975) and Etoile Chaville (1982-). Both artists are afro descendant, dancer-singers and have the French citizenship. However seventy-six years separate them and their lives unfold in very different socio-economic contexts.
What connect them ? Which struggles had to be overcome in Josephine Baker’s time and are still relevant today for women who don’t fit in a box ?
©Klaus Lehman
Baker was the first Black female to become a star and a world-famous entertainer. She was also noted for her contributions to the Civil Rights Movement in the United States and for assisting the French Resistance during World War II.
A dialogue between past
and present
Built as a dialogue between past and present, the performance series questions stereotyped images, around races, gender or sexuality -which are still alive in the collective unconscious- and their influence on our vision of the world and the Other.
The performance series also pay tribute to Josephine Baker for her fight for equality for men and women of all origins.
creating new
visually striking representations
The performance series is based on the iconography shaping Baker’s artistic identity. Chaville starts by working from drawings, posters, songs, objects and movements which define Baker`s artistic identity. But instead of reproducing them identically, Chaville modifies their elements to subvert their codes, creating new visually striking representations, breaking audience expectations and generating thought.
© Marie-Hélène pic'art
Questioning Womanhood
The point is not to reproduce Baker’s work, but to use it as a focus, to explore :
- How could Josephine Baker free herself from the conventions and the contraints of her own time to find a space for freedom, take her place and make her voice heard in the world?
- To what extent artistic expression – dance, song and improvisation – is a way for women to reclaim power over their freedom of expression, rise above the limits imposed on their body over the centuries and show resilience?
Brenda Dixon Gottschild, author of "The black dancing Body" and "Digging the Africanist Presence in American Performance" gives her permission to use audio material from interviews she gave about about Josephine Baker, a.o. for the BBC-Programm "Black Music in Europe".
Choreography
This series of performance merges contemporary dance, chansons, physical theatre, humour and poetry. Etoile Chaville creates an intriguing world in which past, present and future are constantly interacting. Like a surrealist painting, characters and historical, political or musical references are juxtaposed in a non-linear way.
One of the particularities of Chaville’s choreographic writing is to integrate the sung or spoken voice with an abstract movement vocabulary. However the emotional content strongly influences the form of her dance, bringing out its powerfully expressive character. In the performances, she develops a hybrid choreographic language, integrating characteristics from african-american dances like charleston and the idiosyncratic moves of Josephine Baker.
Music
The banjo is the instrument in african-american musical history most closely connected with african traditions, among others because slave- owners prohibited the use of african drums in the United States. In the 1920s, the banjo was the only instrument used in a typical jazz-band that was not also used in styles of purely european origin.
©Photomusix/Cristina Marx
© Marie-Hélène pic'art
Etoile Chaville works in close collaboration with composer and guitarist Julian Datta. The basic material consists of songs interpreted by Baker on the one hand – which made her a famous singer in France – and on the other hand songs of the african-american tradition. The interpretation is partly inspired by the methods of free jazz, drawing a connection to the civil-rights-movement of the 1950s and -60s, the historical context in which this style developed. In addition, textures from the field of contemporary improvisation are made use of.
About The Performances
For each performance, improvisation is at the center of the choreographic process and is based on one or several topic chosen in advance.
For instance, the performance’s imagery could refer to the following themes :
- European colonial and slavery past,
- body image,
- female violence,
- the perception of feminity and masculinity,
- the « Rainbow tribe » and the ability of young children to live together,
- Baker’s activism in France, Germany and the USA.
Each performance of the series may happen in a theatre or site specific (for instance in an art gallery, a museum, a cinema, a school, university conference, etc.)
Précédent
Suivant
©ERIC CLEMENT DEMANGE
©SOURCE-internet
a symbolic connection
The series of performances explores a symbolic connection between Josephine Baker (1906-1975) and Etoile Chaville (1982-). Both artists are afro descendant, dancer-singers and have the French citizenship. However seventy-six years separate them and their lives unfold in very different socio-economic contexts.
What connect them ? Which struggles had to be overcome in Josephine Baker’s time and are still relevant today for women who don’t fit in a box ?
Baker was the first Black female to become a star and a world-famous entertainer. She was also noted for her contributions to the Civil Rights Movement in the United States and for assisting the French Resistance during World War II.
©Klaus Lehman
Built as a dialogue between past and present, the performance series questions stereotyped images, around races, gender or sexuality -which are still alive in the collective unconscious – and their influence on our vision of the world and the Other.
The performance series also pay tribute to Josephine Baker for her fight for equality for men and women of all origins.
A dialogue between past and present
Built as a dialogue between past and present, the performance series questions stereotyped images, around races, gender or sexuality -which are still alive in the collective unconscious – and their influence on our vision of the world and the Other.
The performance series also pay tribute to Josephine Baker for her fight for equality for men and women of all origins.
creating new visually striking representations
© Marie-Hélène pic'art
The performance series is based on the iconography shaping Baker’s artistic identity. Chaville starts by working from drawings, posters, songs, objects and movements which define Baker`s artistic identity. But instead of reproducing them identically, Chaville modifies their elements to subvert their codes, creating new visually striking representations, breaking audience expectations and generating thought.
© Marie-Hélène pic'art
creating new visually striking representations
The performance series is based on the iconography shaping Baker’s artistic identity. Chaville starts by working from drawings, posters, songs, objects and movements which define Baker`s artistic identity. But instead of reproducing them identically, Chaville modifies their elements to subvert their codes, creating new visually striking representations, breaking audience expectations and generating thought.
Questioning Womanhood
The point is not to reproduce Baker’s work, but to use it as a focus, to explore :
- How could Josephine Baker free herself from the conventions and the contraints of her own time to find a space for freedom, take her place and make her voice heard in the world?
- To what extent artistic expression – dance, song and improvisation – is a way for women to reclaim power over their freedom of expression, rise above the limits imposed on their body over the centuries and show resilience?
Brenda Dixon Gottschild, author of "The black dancing Body" and "Digging the Africanist Presence in American Performance" gives her permission to use audio material from interviews she gave about about Josephine Baker, a.o. for the BBC-Programm "Black Music in Europe".
Choreography
The series of performances merges contemporary dance, chansons, physical theatre, humour and poetry. Etoile Chaville creates an intriguing world in which past, present and future are constantly interacting. Like a surrealist painting, characters and historical, political or musical references are juxtaposed in a non-linear way.
One of the particularities of Chaville’s choreographic writing is to integrate the sung or spoken voice with an abstract movement vocabulary. However the emotional content strongly influences the form of her dance, bringing out its powerfully expressive character.
In the performances, she develops a hybrid choreographic language, integrating characteristics from african-american dances like charleston and the idiosyncratic moves of Josephine Baker.
Music
©Photomusix/Cristina Marx
The banjo is the instrument in african-american musical history most closely connected with african traditions, among others because slave- owners prohibited the use of african drums in the United States. In the 1920s, the banjo was the only instrument used in a typical jazz-band that was not also used in styles of purely european origin.
Music
The banjo is the instrument in african-american musical history most closely connected with african traditions, among others because slave- owners prohibited the use of african drums in the United States. In the 1920s, the banjo was the only instrument used in a typical jazz-band that was not also used in styles of purely european origin.
©Photomusix/Cristina Marx
© Marie-Hélène pic'art
Etoile Chaville works in close collaboration with composer and guitarist Julian Datta. The basic material consists of songs interpreted by Baker on the one hand – which made her a famous singer in France – and on the other hand songs of the african-american tradition. The interpretation is partly inspired by the methods of free jazz, drawing a connection to the civil-rights-movement of the 1950s and -60s, the historical context in which this style developed. In addition, textures from the field of contemporary improvisation are made use of.
About The Performances
For each performance, improvisation is at the center of the choreographic process and is based on one or several topic chosen in advance.
For instance, the performance’s imagery could refer to the following themes :
- European colonial and slavery past,
- body image,
- female violence,
- the perception of feminity and masculinity,
- the « Rainbow tribe » and the ability of young children to live together,
- Baker’s activism in France, Germany and the USA.
Each performance of the series may happen in a theatre or site specific (for instance in an art gallery, a museum, a cinema, a school, university conference, etc.)
Précédent
Suivant
©ERIC CLEMENT DEMANGE
Josephine Baker - Mirror and Shadow
A series of interdisciplinary live performances combining physical theater, contemporary dance, poetry, chanson, film, and photography.